Keys to 'An Intermediate Course in English for Computing' provides the answer key to the textbook An Intermediate Course in English for Computing, also published by Editorial Universidad Politécnica de Valencia (Ref. 2006914). This booklet is aimed at students using the above mentioned textbook who wish to work on the course material on their own. It may also be used to complement classroom work, assisting students in their private study of some of the activities included in the textbook, in a more autonomous approach to learning. This booklet is organized in two sections. The first one presents the solutions to the tasks in "Reading Practice" units, while the second part includes the keys to tasks in "Language Practice" units.

Central temperature variance is a common phenomenon, including in experienced swimmers, and it is an important medical concern in winter swimming events. Up to this moment only limited studies of these swimmers in endurance disciplines exist, and these studies provide a phenomena of discrepancies between the recommendations about which would be the optimal body composition they should possess to be capable of keeping their central temperature and do not decrease their performance. With the aim of providing a different approach about this topic, this work goes deep into this scenario to try to understand the implications of this event. An extraordinary knowledge adventure that led the author to go across the most cold and distant places of the planet.

In Didactic Approaches for Teachers of English in an Internacional Context, the editors have selected articles that provide an overview of the current methodology of integrated language and culture instruction, with the understanding that the English language is completely embedded within a broader cultural framework. The papers further define this topic into creative inter-cultural approaches to teaching, including: content-based instruction in English through CLIL, holistic language-learning for children, the parallel development of linguistic and cultural competence, and a study of language structures and discourse.

The first quarter of the 15th century saw the start of the construction of this building, which has always been known as the Escuelas Mayores. In 1411, Cardinal Pedro de Luna, an enthusiastic supporter of the University, ordered its construction. A few years later, those involved began to buy up the houses that would eventually offer the space for our Studium. It is in fact surprising that although the University was founded in 1218 by Alfonso IX, two hundred years were to elapse before it was awarded its first premises since prior to that moment its teaching activities had been carried out in the chapels of the Old Cathedral and in houses rented from the Cathedral Chapter. Indeed, as late as the 19th century the conferrals of academic degrees were still being held in the chapel of Saint Barbara. This building abuts the Patio de Escuelas. This Patio de Escuelas was designed by Juan Gallego de Andrada after meetings with Phillip III and was opened up in 1609 to form a true «antechamber» to it. To the south, this square is faced by the former Hospital de Estudiantes –it now houses the hub of the administration (the Rectorado)– and its southwest corner leads on to the Minor Colleges (Escuelas Menores), buil around the end of the 15th century. The other two walls, unadorned, were built between the end of the 16th century and the first quarter of the 17th. The bronze statue of Fray Luis de León is the work of Nicasio Sevilla and has been standing there since 1869. The crenelated walls next to the façade, a tribute to University jurisdiction, are also from the time of Phillip III and replaced an earlier one whose construction was ordered by El Tostado. The crenelations continue on the south, in the street immediately behind the chapel. Up to the 16th century, there were also crenelations on the Fachada de las Cadenas, facing the Cathedral. The Escuelas Mayores are not the fruit of a single project but are rather of a series of extensions introduced from the beginning of the 15th century until the end of the 19th. The older parts reflect Gothic, Mudéjar and Renaissance tones, such that one could speak in terms of a building characterized by a lack of definition of styles, as proposed by Nieto Alcaide. The sequence of construction may have been as follows. The first part to be built would have been the west corridor, with a single floor, followed by the east one, also single-storied and including the oratory of St Jerome. Both of these would have been erected in the first quarter of the 15th century. In 1474 work began on a second chapel, on the ground floor, and a library above it; this is where the present-day chapel stands. Both the chapel and the library were completed by 1479. When the whole part, with both floors, was designated to become the chapel it became necessary to build a new library. This was begun in 1509, and at the same time a floor and also the hallway were added to the west corridor. And in the same year, the so-called Galería de Enigmas (see below) was added. At some unknown date, but certainly before 1469 (the year in which people were starting to talk about a square design) another corridor –smaller than the present-day one– was built. Around 1570, this was reformed with the current corridor on the northern side, under the supervision of Rodrigo Gil de Hontañón, and it became the place where classes were again taught there in 1574-1575. In the second half of the 18th century, today’s current chapel and the Salon de Claustros (Senate Hall) were built, and towards the end of the 19th century the cloistered part was completed with another floor built on the eastern corridor and over the northern corridor based on a project by José Secall, who also designed the arch work on the southern corridor. As the culmination of all these constructions and additions, we now have the present edifice, organized around a patio with semicircular arches on the ground floor and five-pointed oge earches on the upper floor, both floors being connected by a magnificent staircase. The disposition of the floors seems to be related to the design of a Roman house, which would in part explain –at least for the defenders of this hypothesis– the addition of the richly sculpted façade, based on Vitruvian influences.

The purpose of this edition is to provide an English translation of three essays about Tomás de Mercado’s book, Deals and Contracts of Merchants and Traders. This translation has been made from the 1569 edition of the book published in Salamanca. The book was later the object of new editions and it was expanded by two more chapters, with an Italian translation appearing in 1571. However, an English edition had never been made before. The 1569 edition is composed of four Books: the first dedicated to merchants and their contracts, the second to currency and loans, the third to usury and the fourth to the question of the obligation of restitution when a reprehensible action is committed.